My Grandfather’s Sketchbooks Still Inspire Me to Travel
Guest Post and Photo by Amy Perry Basseches
My grandparents were inveterate world travelers — and Grandpa, an architect, was always sketching and painting wherever they went. Framed examples of his watercolors have graced every place I’ve lived. In Boston, our home displayed Pisa (1955), Nara (1959), Crete (1960), and Florida (1977). Now, in Toronto, Josh and I have Venice’s Rialto Bridge on the wall (1954). It was not only the sketchbooks, but gifts from afar that entertained me as a child. With Grandma and Grandpa’s help, I gathered a large collection of dolls from other countries, learning early on that the world was a big, diverse place that I wanted to understand more. I suppose you could say my love of travel and exploration was instilled by them.
Recently, in September, I was looking through a pile of Grandpa’s sketchbooks which I hold for all relatives as part of the family archives. Believe it or not, I found pencil drawings and watercolors of places to which I would travel a month later: Grandpa’s "Newfoundland, 1977." Indeed, in early October, I saw the Bonavista Lighthouse he depicted. Further, I found a notebook entitled "Japan, 1959," and, after pausing to wonder what led my grandparents to Japan at that particular time, I decided to ask my niece whether she had been to any of the named sites. She and her partner were on a 2-week trip to Japan last summer when they became engaged. All seven of the great-grandchildren should have Grandpa’s artwork on their walls, I thought, to inspire even more generations to experience the larger world.
Grandma and Grandpa were first generation Americans (born to immigrants from Russia and Lithuania as the 1800s turned to the 1900s), and raised in New York City. Grandpa was the youngest of eight. Amazingly, both went on to college and graduate school. 100 years later, their curiosity, pluck, and sense of adventure still motivates me, and lives on through Grandpa’s sketches and watercolors.
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