Most Memorable Trips We’ve Designed This Past Decade: Peggy’s Travels Through the Australian Outback
Peggy has long been one of ActiveTravels’ most beloved clients because she returns year in, year out to the same destinations, particularly India and Australia. You can’t push the typical highlights tour on her since she’s already peeled that onion back 10 layers. You must dig deep to find authenticity. In Australia alone, she has traversed the remote Northwestern part of Australia from Broome to Darwin, flew to one of the outlying Great Barrier Reef islands, and has crossed Tasmania. But the trip I remember most is the one where she wanted to visit Aboriginal art communities in the desolate Australian Outback. We’ve had clients visit Alice Springs to climb Ayer’s Rock, for example, but no one who wanted to use Alice Springs as their hub to see surrounding indigenous villages, often hundreds of miles away. I scoured the internet and found nothing. Then I want on a Sydney-based travel advisor chat room and found a recommended company called Spirit Safaris that lo and behold offered a weeklong Central Deserts Aboriginal Art Tour. In March 2018, Peggy and the owner of the company, Richard, drove to such obscure outposts as the Nyinkka Nyunyu Art & Culture Centre, Warlukurlangu Arts at Yuendumu, and Aboriginal Art Centers at communities including Amata, Ernabella, Fregon, and Iwantja. Fantastic!

Located in North Adams, Massachusetts, just down the road from Williams College and the
May 29th marks the 100th birthday of John F. Kennedy. To commemorate the occasion,
The rugged and raw beauty of Maine has been a lure to many of America’s foremost landscape artists. Thomas Cole, founder of the Hudson River School, first visited Mount Desert Island in 1844. When he returned home to New York with a bounty of canvases, Cole’s affluent patrons were astounded by the mix of mountains and sea. Man versus the chaotic forces of nature, particularly fishermen struggling against powerful nor’easters, kept Winslow Homer busy on the boulder-strewn shores of Prouts Neck for more than two decades. In the 1920s, Georgia O’Keeffe, Marsden Hartley, and other early American abstractionists from Alfred Stieglitz’s 291 Gallery joined John Marin to work at his summer cottage in Deer Isle.
I finally made it to the new Whitney Museum of American Art in Manhattan over Christmas break. The new building is located on Gansevoort Street, just off 14th street on the western edge of the island. The day was unseasonably warm when we went, so we took full advantage of the outdoor balconies to stare at the view of the Hudson River down to the Statue of Liberty. From the outside, the Whitney looks small. Once you walk in, however, and peer at the oversized works of sculptor and artist 