New Brunswick Week: First Stop, St. Andrews-by-the-Sea
For the past two decades, Canada’s Atlantic Maritimes and particularly New Brunswick have been one of my favorite outdoor playgrounds to sea kayak, bike, and hike in or around the Bay of Fundy waters. But it’s not just the stunning granite ledges, huge tidal shifts, and towering pines that beckon. The majestic scenery certainly excites, but it’s the people of this province and their distinctive passions that keep me returning as often as possible.
Take, for example, one Mrs. Lucinda Flemer of St. Andrews. In 1998, she had the brilliant idea of taking the century-old hedges and boxed gardens of her youth and creating arguably the most magical botanical garden in Canada. In 2010, I was so enraptured with the 27-acre grounds that I named the Kingsbrae Garden one of my top travel destinations of the year, competing with trips to Africa, Europe, and Latin America that year. When I returned yesterday, I was even more impressed. The yearly sculpture contests in the garden has led to one of the largest permanent sculpture gardens in Canada. The perennials were still in bloom, as they are throughout the spring, summer, and fall. This time, the pinkish-purple echinacea radiated throughout the garden. The sensory garden is just as seductive to touch and smell as I happily felt the velvety lamb’s ear and inhaled the powerful lemon scented geraniums.
Next door to the garden is Kingsbrae International Residence for the Arts and a glorious amphitheater for outdoor concerts and performances created in 2016. Monthlong arts residences are open to artists, sculptors, writers, and filmmakers and I had the good fortune to meet one illustrator working on a children’s book based on the groundbreaking work on indigenous culture, Braiding Sweetgrass. Now a nonagenarian, Mrs. Flemer was also seen walking the grounds, her imagination still fertile as she continues to build on her whimsical creation. She continues to inspire the next generation of horticulturalists, botanists, sculptors, artists, chefs (as evidenced by the innovative fare we had for lunch in Garden Café) and yes, even travel writers.

In September, I had the good fortune to return to New Brunswick, Canada, once the border finally reopened to Americans. 23 years after the
Seven years ago, the director of a small museum in the Netherlands set out on an impossible quest: he wanted to borrow every surviving work in the world by the wildest imagination in the history of art, Hieronymus Bosch, to celebrate his 500th anniversary in the city of his birth. In an
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The rugged and raw beauty of Maine has been a lure to many of America’s foremost landscape artists. Thomas Cole, founder of the Hudson River School, first visited Mount Desert Island in 1844. When he returned home to New York with a bounty of canvases, Cole’s affluent patrons were astounded by the mix of mountains and sea. Man versus the chaotic forces of nature, particularly fishermen struggling against powerful nor’easters, kept Winslow Homer busy on the boulder-strewn shores of Prouts Neck for more than two decades. In the 1920s, Georgia O’Keeffe, Marsden Hartley, and other early American abstractionists from Alfred Stieglitz’s 291 Gallery joined John Marin to work at his summer cottage in Deer Isle.